There was champagne in the workroom!

After many hours of deliberation, Chrissy and I settled on a plan for Master Bedroom draperies using two colorways of Fortuny's Lucrezia.  Champagne was definitely called for!- and, hey, there's a wine shop next door :)

It's an honor and privilege to be asked to work on world-class fabric like Fortuny.

Impeccable pattern-matching will be required to join the bittersweet to the blue-green colorway.  Many trims were considered and Chrissy made a final choice.......... which is none of what is shown here!

 We rolled and re-rolled to establish the design plan, with bittersweet wide banding on both the lead edges and the bottom.

 Pattern matching both vertically and horizontally will require days of fussy cutting.

I've been looking forward to this project for a very long time, and I'm happy it's soon time to tuck in and get to work!  Stay tuned......

Re-purposing

We've spent considerable time in the house with the huge hobbled shades for Denise Wenacur, and last week it was time to go upstairs to the master bedroom, where we re-purposed the homeowners' existing window treatments.

Crown molding was added, so for two windows, the draperies needed shortening. 

And the turret had a full set of draperies until the seating area was built, so they were re-made into Roman shades, the band and rope lead edge detail transformed into bottom shade detail.

Ribs ensure that the folds do not need dressing, a helpful feature in shades that are mounted high and are not so easy to reach.  We sew, rather than glue, ribs onto interlining in between the rings so the folds will have some rigidity.

Dofix 6" fusible buckram provided support for the bottom banding.

Re-purposing generally involves some improvisation, to make the existing materials work for the new application.  In this instance, we had to fiddle a bit to make the banding work.  Although we usually make a double bottom hem, the banding was just wide enough to create a single hem, so Dofix Bortenfix was used to secure the hem below the weight bar pocket......

then Dofix fusible gimp covered the raw edge.  The rings were sewn through all materials so the stitching would provide extra security for  the band and the gimp.

After the weight bar was inserted into the pocket, the gimp end was tucked in and secured....

Then the bottom pocket ladderstitched closed.

Dofix 8" fusible buckram gave body to the topper, which I wanted to be somewhat supported but not quite as rigid as a soft cornice.  We mitered the top and fused Dofix velcro to the back edge so the topper could be mounted easily on installation day.

Fabric staples secured the fabric layers at the top......

and because these shades are reverse mounted, Dofix fusible velcro was added to the front.

The shade snaps off of the headrail for easy installation, then just as easily snapped back on.  The lift system is the Rollease SS38 from Designers Resource, chosen for its awesome gear ratio that allows this shade to be nearly fully raised with just one pull of the continuous bead loop chain. 

The little toppers behaved just as I wanted them to.

Ta-da!  (and yes, we fabricated those cushions, too.)

That wedding dress.....

Angela was gorgeous in the wedding dress that skipped a generation!

My grandmother, Corinne Leatherwood Foster, made her daughter's wedding dress 66 years ago.

Betty Max Foster Dalton

Wilda Corinne Leatherwood Foster

We are baffled by the sleeves, which were slightly poufed and cuffed when our mother's photos were taken, and are now straight and a bit shorter.  The dress also had a belt, which was too discolored to use, and Angela decided not to replace it.

Joseph and Betty Dalton

My mother would have adored Angela, and would have loved seeing her in that dress, and most of all would have been amazed that it was saved for 66 years! 

 I am so proud of Angela for including the grandmother and great-grandmother who never knew her.

This blog post from May details the adjustments that were made for the dress to be comfortable for Angela.  The only hand I had in it was sourcing and replacing the discolored lace buttons.

Betsi helped her girl with the side zipper.

Perfect fit!

We were delighted by the fact that all 4 of us sisters were color-coordinated- unplanned!  Judi isn't in this photo but her color choices were spot on.   My skirt and top were hand-sewn and reverse-appliqued a la Alabama Chanin by my own dearest friend Camille who graciously loaned me the outfit for the occasion.

Details on the 158" shade

There's a lot of detail I'd like to share about the 158" shade featured in last Friday's post.

The fabric was railroaded- it wasn't perfectly symmetrical in both directions, but nearly, and the repeat was small in either case, so I thought it would be best to have no visible seams.  Instead, we seamed it horizontally and hid the seam under a fold.  Figuring out the logistics was trickier than I thought it would be!  Luckily I got it right, whew.  The repeat is just 4.5" so the folds are a little smaller and closer together than I usually plot for hobbled shades.

I did catch a break on marking the fabric for sewing the tape and rings.  I used a lovely double-wide cotton sateen from Hanes, and could just see through it enough to make the marks by pattern instead of having to measure.  THAT was a huge plus- it not only saved time, but also assured accuracy.  I took this photo of the first shade as pattern placement reference for the following two.

The Rollease Skyline clutch on a 1.5" tube provided a strong lift system.  After using this tube a lot recently for both clutch AND spring lift systems, I think I will now remember without having to look it up: screw eyes for clutch, NO screw eyes for spring.

Another thing I think I finally will remember without having to look it up: for reverse mount hobbled shades, DO NOT put the grommet through the tape!  I had to wiggle the tape free out of every grommet in order to make slight adjustments to the board line.  I also finally got smart while making the adjustments and instead of unstapling, I used a blunt instrument to nudge a bit of lining upward and stapled it to the back of the board.

Did you see what tool I'm using there?  It's our new Milwaukee cordless, battery-operated staple gun!  My hands are no longer able to operate an old-fashioned manual staple gun, and the shade was too far away for the compressor hose, so this new toy I mean tool came in very handy!

The tube, at 158", was too long to safely use without support.  Luckily Rollease has introduced a splice- the Easy-Link.  This allows the tube to be split in half and spliced, with the splice doing double duty as a support bracket.

For a fail-safe during transportation, we used cable tie mounts at each end of each tube, just in case the tube came out of the bracket.  It can't fall far, because it's all strung up to the shade, but it saved some annoyance when it DID happen and we needed to put it back together.  Please note: we snipped the cable ties loose once the shade was installed, because they would add resistance to the lift if they stayed in place.
There are two types of cable tie mounts: one is all in one piece; the other sticks on then you secure it with a screw- that's the one we wound up using.

Oh, and another thing.  If you read the previous post, you might remember that the soft cornices didn't quite fit in the corner, and I had to take them back to adjust the ends.  I made a piece of welting on "wings" with velcro, and velcroed it in between where the new ends met.  I forgot to take a photo of the welt with wings, sorry.

I wish I could say that the pattern flowed around the corner because of meticulous planning, but really it was serendipity that the pattern on the two ends created a near match.  Sometimes luck is better than skill!

It WAS skill, however, and not a bit of luck involved, that the pattern matched preciselty from the soft cornice to the shade!  And I'll gladly take full credit for THAT, as well as the perfect pleat-to-pattern :)