First let me show you the "after" picture:
The valances needed complete remaking, as the calculations clearly went awry and left no way to correct the existing treatment. The fine satin required better fabrication techniques than the factory-caliber treatment it was given.
This talented designer worked brilliantly within parameters that he did not choose.
The decision was made to eliminate the valances to lighten up the room. I had the opportunity to re-make the panels, by hand, with fresh imported Duchess Satin and wool/linen Greek Fret trim, and re-work the silk sheers, making them 10" longer to up fit into the recess. (Yes, 10" longer. THAT took some serious magic.)
The designer's choice of hardware was absolute genius: rectangular Lucite poles with brass fittings, so the gorgeous matching 5" trim on the soffit could be seen through the Lucite.
6" cartridge pleats allowed the satin to drop in sleek, smooth columns.
The return needed to be held rigid. My original plan was to insert a support into the pocket created by the facing. It kind of worked, but not quite well enough, so we went back and actually stapled the returns into the underside of the soffit.
Satin in itself creates challenges, because the light enhances every ripple and dimple. The heavy trim was not only on the vertical lead edge, but also across the bottom. We experimented with sewing it on both by machine and by hand, but the satin puckered no matter what. So, guess what? I bought a Dofix to apply this trim.
The fabrication and installation were so intense that I really didn't take the time to capture as many photos as I now wish I had. The take-away: both homeowner and designer were thrilled with the make-over.
A bunch of new tools and gadgets went a long way toward moving this project forward efficiently. I'm itching to do a separate blog post about those.
Redos can be harder than making it from scratch. Good Job!
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