For those who wonder about the silhouette of wide relaxed Romans with just one swoop, here are three recent examples.
All three are about 72" wide. The first is a sheer:
And this one is an unlined casement fabric with a linen duck 2" bottom banding:
And this is one we featured last week, interlined silk with dog-ears and 3/4" velvet banding on 3 sides:
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Tuesday, February 28, 2012
Sunday, February 26, 2012
Grosgrain Ribbon Banding
We've had a little flurry of banding lately- I've shown a few shades in recent posts with contrast fabric banding; here are two with inset banding made from grosgrain ribbon.
This pink ribbon is applied to a pretty heavy white linen, lined with Centurion napped blackout, for a little girl's bedroom.
Here is a gorgeous grey wool sateen with navy grosgrain ribbon, for a son's room. Those "ears" on the little valance need to be tacked down with tenter hooks!
This pink ribbon is applied to a pretty heavy white linen, lined with Centurion napped blackout, for a little girl's bedroom.
Here is a gorgeous grey wool sateen with navy grosgrain ribbon, for a son's room. Those "ears" on the little valance need to be tacked down with tenter hooks!
Thursday, February 23, 2012
Relaxed Roman with Dog Ears
Here's a beautiful, clean, serene Relaxed Roman variation for a NYC apartment.
There is no fullness: the lift lines are set in about 8.5" to create drooping dog-ears.
Translucent interlined white silk is banded with 3/4" of yellow velvet.
This shade is about 70" wide, in case you're wondering about proportion.
To keep the layers from shifting, first I hand-basted the velvet to the 3 layers before machine sewing.
After sewing with a scant 3/4" seam, I rolled the velvet over and hand-sewed it to the back.
There is no fullness: the lift lines are set in about 8.5" to create drooping dog-ears.
Translucent interlined white silk is banded with 3/4" of yellow velvet.
This shade is about 70" wide, in case you're wondering about proportion.
To keep the layers from shifting, first I hand-basted the velvet to the 3 layers before machine sewing.
After sewing with a scant 3/4" seam, I rolled the velvet over and hand-sewed it to the back.
Wednesday, February 22, 2012
In a Purple Haze
I've noticed that purple is a popular decorating color in the winter. February's birthstone is amethyst, which perhaps reflects an increased attraction to purple when it is cold and dull outside- it sure does pep up a subdued palate. Still, it was surprising to have SO MUCH purple in-house this winter.
On February 4 I took this picture of purple fabrics that came in for immediate projects.
These purples were mostly paired with natural, sage or loden, or silver-grey.
The project that kicked off purple month was a simple purple burnout velvet panel, box-pleated onto a board, with purple glass beads shown off when the fabric is draped back to one side.
Next were pillows in silver and purple, balanced with a hint of loden in the outlining:
Then a 165" valance and panels of a gold-dusted natural silk, color-blocked with silver-grey and purple satin. These did not photograph well, but in the house they are fabulous.
Four neo-bohemian shades were exuberant with their purple borders trimmed with purple and sage glass beads:
The Sheffield Queen lined what felt like a couple of miles of valances with purple, trimmed with purple fringe:
Here the sage and purple face fabric stretches across the workroom into infinity, or at least it felt that long:
And for the last purple project of the month: just-the-other-side-of-periwinkle-purple bands and welts the sage and purple toile on this goblet pleat valance:
On February 4 I took this picture of purple fabrics that came in for immediate projects.
These purples were mostly paired with natural, sage or loden, or silver-grey.
The project that kicked off purple month was a simple purple burnout velvet panel, box-pleated onto a board, with purple glass beads shown off when the fabric is draped back to one side.
Next were pillows in silver and purple, balanced with a hint of loden in the outlining:
Then a 165" valance and panels of a gold-dusted natural silk, color-blocked with silver-grey and purple satin. These did not photograph well, but in the house they are fabulous.
Four neo-bohemian shades were exuberant with their purple borders trimmed with purple and sage glass beads:
The Sheffield Queen lined what felt like a couple of miles of valances with purple, trimmed with purple fringe:
Here the sage and purple face fabric stretches across the workroom into infinity, or at least it felt that long:
And for the last purple project of the month: just-the-other-side-of-periwinkle-purple bands and welts the sage and purple toile on this goblet pleat valance:
Saturday, February 18, 2012
Tres-Super-Chic
In a master bedroom inspired by menswear: cornices and draperies, with a variation on a Greek key trim, and nailheads all around the cornices. The draperies have been tied to train the pleats, so good photos later- like, in a couple of weeks. Meanwhile:
Thursday, February 16, 2012
More Pillows
Might as well show off some more pillows. We had a marathon this past week!
This order consisted of 13 pillows- various sizes out of these 5 fabrics.
We combined this order with another dozen or so pillows to cut out and sew by color so we could minimize re-threading the machine.
The most fun part of making a big batch of pillows is rummaging through the zipper bin and picking out the right color zipper for each fabric. I guess I keep about 35 colors in stock, but sometimes I have to go to a local fabric store for a special color, like the bright orange in the bottom left corner. Invisible zipper tape didn't come in that orange, so I got regular zippers and did a lapped zipper closure. I couldn't even remember how to do it!- but after 3 of them it all came back.
This order consisted of 13 pillows- various sizes out of these 5 fabrics.
We combined this order with another dozen or so pillows to cut out and sew by color so we could minimize re-threading the machine.
The most fun part of making a big batch of pillows is rummaging through the zipper bin and picking out the right color zipper for each fabric. I guess I keep about 35 colors in stock, but sometimes I have to go to a local fabric store for a special color, like the bright orange in the bottom left corner. Invisible zipper tape didn't come in that orange, so I got regular zippers and did a lapped zipper closure. I couldn't even remember how to do it!- but after 3 of them it all came back.
Wednesday, February 15, 2012
I love microcord!
These pillow fabrics are delicious- two of the best of the high-end beauties we've had in lately.
The blue lotus velvet came all the way from New Zealand.
The silver fabric is no ordinary reptile- it's DRAGON. I want to know, how do they know what dragon skin actually looks like?
Microcord defines the pillows unobtrusively. The blue-green welt is faux-silk, the grey welt is satin. The cord is just 4/32" in diameter.
Rule of thumb: match zipper tape to welting- subject to exceptions, of course. And use invisible zipper whenever possible.
The blue lotus velvet came all the way from New Zealand.
The silver fabric is no ordinary reptile- it's DRAGON. I want to know, how do they know what dragon skin actually looks like?
Microcord defines the pillows unobtrusively. The blue-green welt is faux-silk, the grey welt is satin. The cord is just 4/32" in diameter.
Rule of thumb: match zipper tape to welting- subject to exceptions, of course. And use invisible zipper whenever possible.
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