My co-instructors were Penny Bruce, Mary Rose LeBlanc, and Susan Woodcock. Between us, we covered drapery topics (fascinating headers and a great new ripple product), shades (English roman shades and my relaxed), and demos on enchanting pillow and slipcover details, essential hand-sewing stitches, and my fusible applications to facilitate detailing.
|I'm wearing my hand-sewn and hand-flower-dyed tank top|
Now Susan has announced the October 20 opening of early-bird registration for the Custom Workroom Conference 2017 which will be held in Nashville next May! I'll be reprising "Relaxed Roman Shades" so if you missed it last weekend, I hope you'll consider taking it in the spring. I'll also be presenting "Streamlining Top Treatments"- all about workroom techniques and practices for efficient top treatment fabrication. Check out the long list of classes- it's a comprehensive selection of workroom topics. I'm glad I'm going to be there, and I hope you'll be there too!
I love the look of multiple treatments marching around a room. There were 9 of these in all.
Another geometric roman shade- pleated to pattern, OF COURSE!
We also made a bunch of stationary romans like this one, in various sizes.
This is my new favorite way to make stationary roman valances. Lift cord is run through rings, just like on an operable shade, but it's secured at the top on the board, and at the bottom with orbs, which allow slight adjustment. This gives the treatment a natural look.
It's impossible to describe just how impressive this sleek, ultra-modern fabric was as a roman shade.