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Showing posts with label mesh tube shroud. Show all posts
Showing posts with label mesh tube shroud. Show all posts
Monday, November 26, 2012
Wavy tucked shade
What a great shade! The intermittent tucks break up the flat surface and create movement. This shade is going under a cornice of the same woven fabric.
The raspberry banding is just 5/8" wide, on three sides, with mitered corners. The cornice is welted in this fabric as well.
The outermost tucks do not go all the way to the edge- they stop short before the band.
This is the first time I've made this style since the safety standards have been put into effect. I used mesh tube shroud cinched to rings.
Since every other ring is at a tuck and the alternate rings are on flat fabric, ladder tape wouldn't work- the spacing was too erratic. The tube shroud was perfect.
Thursday, August 4, 2011
Cord idler pulleys
These white matelasse shades are trimmed at the bottom with purple grosgrain ribbon and lavender gimp, although in the photo the trims read royal blue...
We used a cord lock along with cord idler pulleys from Rowley to help the shades raise easily, for two reasons:
The shade in the photograph is small, but the other was quite wide; so, first, since the context dictated a 1" headrail, there was no room for a clutch; and secondly, both the matelasse face fabric and bonded interlined blackout lining were heavy.
The pulleys were a great help- the cords glide smoothly over the little wheels instead of scraping across metal screw eyes. The only screw eye is at the end with the cord lock.
Mesh tube cinched with cable ties was used to shroud the lift cord. At the top ring the cord is fished out from the mesh tube and runs up to the headrail.....
...while the empty mesh shroud continues up to the headrail and is stapled to the top of the board, for a neat finish. This part needs to be done before the headrails are covered with finishing fabric.
The lining is the new Bella Notte Centurion: blackout with cotton flannel interlining fused to the wrong side. It's soft and drapey, and the interlining adds bulk- none of that unpleasant "rubber pants" blackout feel.
We used a cord lock along with cord idler pulleys from Rowley to help the shades raise easily, for two reasons:
The shade in the photograph is small, but the other was quite wide; so, first, since the context dictated a 1" headrail, there was no room for a clutch; and secondly, both the matelasse face fabric and bonded interlined blackout lining were heavy.
The pulleys were a great help- the cords glide smoothly over the little wheels instead of scraping across metal screw eyes. The only screw eye is at the end with the cord lock.
Mesh tube cinched with cable ties was used to shroud the lift cord. At the top ring the cord is fished out from the mesh tube and runs up to the headrail.....
...while the empty mesh shroud continues up to the headrail and is stapled to the top of the board, for a neat finish. This part needs to be done before the headrails are covered with finishing fabric.
The lining is the new Bella Notte Centurion: blackout with cotton flannel interlining fused to the wrong side. It's soft and drapey, and the interlining adds bulk- none of that unpleasant "rubber pants" blackout feel.
Wednesday, May 11, 2011
Another center pleat relaxed roman shade
This one is a faux silk with Apollo room-dimming lining.
The Apollo lining makes the faux silk gather up in a casual, crunchy way that I like. We chose the mesh tube shroud, anchored with cable ties at each ring, for this shade.
The Apollo lining makes the faux silk gather up in a casual, crunchy way that I like. We chose the mesh tube shroud, anchored with cable ties at each ring, for this shade.
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