We've spent considerable time in the house with the huge hobbled shades for Denise Wenacur, and last week it was time to go upstairs to the master bedroom, where we re-purposed the homeowners' existing window treatments.
Crown molding was added, so for two windows, the draperies needed shortening.
And the turret had a full set of draperies until the seating area was built, so they were re-made into Roman shades, the band and rope lead edge detail transformed into bottom shade detail.
Ribs ensure that the folds do not need dressing, a helpful feature in shades that are mounted high and are not so easy to reach. We sew, rather than glue, ribs onto interlining in between the rings so the folds will have some rigidity.
Dofix 6" fusible buckram provided support for the bottom banding.
Re-purposing generally involves some improvisation, to make the existing materials work for the new application. In this instance, we had to fiddle a bit to make the banding work. Although we usually make a double bottom hem, the banding was just wide enough to create a single hem, so Dofix Bortenfix was used to secure the hem below the weight bar pocket......
then Dofix fusible gimp covered the raw edge. The rings were sewn through all materials so the stitching would provide extra security for the band and the gimp.
After the weight bar was inserted into the pocket, the gimp end was tucked in and secured....
Then the bottom pocket ladderstitched closed.
Dofix 8" fusible buckram gave body to the topper, which I wanted to be somewhat supported but not quite as rigid as a soft cornice. We mitered the top and fused Dofix velcro to the back edge so the topper could be mounted easily on installation day.
Fabric staples secured the fabric layers at the top......
and because these shades are reverse mounted, Dofix fusible velcro was added to the front.
The shade snaps off of the headrail for easy installation, then just as easily snapped back on. The lift system is the Rollease SS38 from Designers Resource, chosen for its awesome gear ratio that allows this shade to be nearly fully raised with just one pull of the continuous bead loop chain.
The little toppers behaved just as I wanted them to.
Ta-da! (and yes, we fabricated those cushions, too.)
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Showing posts with label shade valances. Show all posts
Showing posts with label shade valances. Show all posts
Monday, July 23, 2018
Friday, October 14, 2016
Custom Workroom Weekend!
My co-instructors were Penny Bruce, Mary Rose LeBlanc, and Susan Woodcock. Between us, we covered drapery topics (fascinating headers and a great new ripple product), shades (English roman shades and my relaxed), and demos on enchanting pillow and slipcover details, essential hand-sewing stitches, and my fusible applications to facilitate detailing.
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I'm wearing my hand-sewn and hand-flower-dyed tank top |
Now Susan has announced the October 20 opening of early-bird registration for the Custom Workroom Conference 2017 which will be held in Nashville next May! I'll be reprising "Relaxed Roman Shades" so if you missed it last weekend, I hope you'll consider taking it in the spring. I'll also be presenting "Streamlining Top Treatments"- all about workroom techniques and practices for efficient top treatment fabrication. Check out the long list of classes- it's a comprehensive selection of workroom topics. I'm glad I'm going to be there, and I hope you'll be there too!
I've spent my week back on fabrication and workroom organization. We've gotten some new "toys" and this weekend we will be re-arranging the workroom to accommodate them and improve traffic flow in our space. We are busy, busy, busy on shade and top treatment orders. Here are a few shots of recent work:
I love the look of multiple treatments marching around a room. There were 9 of these in all.
Another geometric roman shade- pleated to pattern, OF COURSE!
We also made a bunch of stationary romans like this one, in various sizes.
This is my new favorite way to make stationary roman valances. Lift cord is run through rings, just like on an operable shade, but it's secured at the top on the board, and at the bottom with orbs, which allow slight adjustment. This gives the treatment a natural look.
It's impossible to describe just how impressive this sleek, ultra-modern fabric was as a roman shade.
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